| MARK MULLIN Catalytic Mix February 12th - March 5th, 2005 |
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In
Catalytic Mix, Mark Mullin's playful works appear to teeter on the edge of
crisis. Whereas his smaller, previous paintings had been packed tightly with
colour and a tumult of textures, the surface area of his new works allow
for the emergence of atmospheric subspace and the illusion of depth. Mullin’s
hermetically sealed mechanisms and systems are dispersed to reveal passages
of quiet emptiness, ethereal pauses suggesting a type of "pre-matter", a
space existing prior to the catalytic mix of his weaves, loops, and cartoon-like
forms. Rather than exist passively as a backdrop, these open spaces exact
a palpable influence upon the painting’s boisterous occupants.
Like the paintings in his previous show Filament, the thick, woven, brush-stroke structure of Mullin’s style suggests an organism undergoing catalytic proliferation, rapidly regenerating itself and spreading beyond the painting’s perimeter. The work’s girth is a necessary counterpoint to the packed surface with its conflicting temperaments and stylistic knuckle balls. It wouldn’t be surprising to discover hidden deep within his boxes the hard wiring, cogs, residual energies, chemical leaks and other elements required to concoct such obstreperous permutations.
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| CLIFF EYLAND Note Paintings February 12th - March 5th, 2005 |
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The concept of Note Paintings
is founded on Cliff Eyland’s interest in libraries, archiving and indexing.
Since 1981 he’s been creating paintings, drawings, and notes on a 3"x5" file
card format. File cards, traditionally used in library or office settings,
are a pre-technological way of readily systematizing and recording negotiated
items or events. When Eyland created a website for his work in 2002/ 2003,
his personal internet archive included a space for ‘notes’ for each of his
works, ruminations that were more descriptive than his usual titles like
"LK2002-33". |
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