MARK MULLIN
Catalytic Mix

February 12th - March 5th, 2005
 
     
   

In Catalytic Mix, Mark Mullin's playful works appear to teeter on the edge of crisis. Whereas his smaller, previous paintings had been packed tightly with colour and a tumult of textures, the surface area of his new works allow for the emergence of atmospheric subspace and the illusion of depth. Mullin’s hermetically sealed mechanisms and systems are dispersed to reveal passages of quiet emptiness, ethereal pauses suggesting a type of "pre-matter", a space existing prior to the catalytic mix of his weaves, loops, and cartoon-like forms. Rather than exist passively as a backdrop, these open spaces exact a palpable influence upon the painting’s boisterous occupants.

Like the paintings in his previous show Filament, the thick, woven, brush-stroke structure of Mullin’s style suggests an organism undergoing catalytic proliferation, rapidly regenerating itself and spreading beyond the painting’s perimeter. The work’s girth is a necessary counterpoint to the packed surface with its conflicting temperaments and stylistic knuckle balls. It wouldn’t be surprising to discover hidden deep within his boxes the hard wiring, cogs, residual energies, chemical leaks and other elements required to concoct such obstreperous permutations.  


 

 



 
Catalytic Mix - Installation View
All paintings oil on canvas
36" x 36" x 5"
2004


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CLIFF EYLAND
Note Paintings

 February 12th - March 5th, 2005
 
     
   

The concept of Note Paintings is founded on Cliff Eyland’s interest in libraries, archiving and indexing. Since 1981 he’s been creating paintings, drawings, and notes on a 3"x5" file card format.  File cards, traditionally used in library or office settings, are a pre-technological way of readily systematizing and recording negotiated items or events. When Eyland created a website for his work in 2002/ 2003, his personal internet archive included a space for ‘notes’ for each of his works, ruminations that were more descriptive than his usual titles like "LK2002-33".

"Most of my paintings are made out of my imagination, so when I attach notes to them the text itself becomes as psychoanalytical a practice as the dream-work that influenced the paintings themselves. I make associations the way anyone else might in front of one of my works. Like any commentary, these notes are made as take-it-or-leave-it assertions."

This new exhibition works opposite to previous projects by Eyland such as File Card Works Hidden in Books at the Raymond Fogelman New School Library in New York 1997, or his first large installation of hidden cards at the NSCAD library in 1981.  These installations offered his works up anonymously and by chance, leaving whomever found the piece to come to their own conclusion. With Note Paintings Eyland accompanies his installation with a hand list that includes the complete set of illustrated notes for the Note Paintings, so viewers can experience Eyland’s running commentary in tandem with their own impressions.

 

 

    
aa53
acrylic on MDF
3" x 5"
2004

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